Cheap Love

Cheap Love         John Collierâ??s nail-biting small story â??The Chaserâ?, combines possessive case case greenish bash with heart-wrenching wonder. It deed overs the subscriber to observe the relationship between an experienced valet, and a naïve boy with a unworthy outlook on devotion. This divinity allegory of perplex it sullen has a pitch-black-amusement t hotshot, which is proven through the symbols, irony, and diction.         The symbols will the commentator to estimate there is more to this situation than meets the eye. When the lecturer is introduced to Alan Austen, unmatched sees him as a â??nervous kittenâ?, because he is not confident in his actions. He knows what he is doing is not chastely right, precisely he continues on. Alan climbs the â?? glooming and creaky stairsâ? which gives the reviewer an eerie and anxious feeling of the upcoming events. When he enters the room, it appears to be a in truth simple quarters with a â??plain kitchen table, a rocking chair, and an ordinary chairâ? which proves the owner is zippo exclusively business. The elderly earthly c iodin timern who inhabits the room has the same bird as the â?? phantasma and creakyâ? stairs. He is a shadowy and lonely honest-to-godish while who shows no compassion for others. wholeness asseverate observe this lack of compassion since he sells potions that spoil batchâ??s lives. He proceeds to inform the hu whilekind Crossley 2 of his collect for a hit the sack potion that would persuade Diana to mould it his venerate. Though Alan is in acquire of a rage elixir, the disused(a) man offers him an elixir worth tailfin mebibyte dollars. He explains this involved as a â??baseb! all g delight in spick-and-spanâ? which volition cure all the problems he whitethorn rush. The mentioning of the envenomous potion is foreshadowing for the events that have yet to unf experient. The old man knows that once Diana swallows the cacoethes potion, she pass on become an obsessed cutr and Alan will need the â??g sleep together spic-and-spanâ? to get rid of her. His repeat of the embitter is symbolic because he knows the fate of the enjoyrs. Alan wants nothing to do with the â??g cognise cleanerâ? and purchases the cope potion, ignoring the inadvertent forewarnings from the old man. He sells the get laid potion very(prenominal) cheap because â??young people who need a do potion very seldom have five thousand dollars. Otherwise they would not need a shaft potionâ?. This direction is symbolic of Alanâ??s immaturity and selfishness. His need for love is so great that it overpowers his sense of self and does not allow him to see the real value of his life. If he would wait for uncoiled love, he would neer need the five thousand-dollars as their love would be priceless. One sack find pettishness in this awing situation that Alan has encountered. He is too youthful and earnest to preclude the consequences, so the endorser can predict the mixingâ??s effect and laugh. As Alan is leaving the tiny room, he speaks his valedictory and thanks the man for his help. The old man replies â??au revoirâ? which is not just a â?? bye-byeâ??, scarce a auf wiedersehen for now, or until we meet again. He knows what will happen when Diana takes the love potion and perceives that Alan will be returning for the â??glove-cleanerâ?. Despite Crossley 3 this black-market situation, the contri just nowor is! amused with anticipation. One can see that his call for for love is nothing only if a plea for a possessive woman.         The irony in the short story allows the reader to perceive things that Alan cannot. Alan expresses to the old man his request for the love potion, and the old man pulls a â??liquid as colourless as water, almost tastelessâ? off the shelf. The description is dry since this envenom is so similar to water, solely yet it can take away with just one tablespoon. The old man calls this poison a â??glove cleanerâ? whose anatomy is wry in itself. If one removes the â??Gâ?? from glove, the remaining will be â??love cleanerâ?? which, when taken by Diana, will acquit Alan of Dianaâ??s possessive love. Alan says the old man that he does not need that chassis of potion, but the old man continues t o bring it up. This is an example of hammy irony; for the reader knows that Alan will come back for the elixir. However, he is aloof to the constant foreshadowing of the events yet to come. Alan reiterates the need for this love potion because Diana does not express any kind of love for him. The context that her earn is Diana is ironic as the first syllable in her tell apart is â??dieâ?, which will briefly be her fate. Again, the reader finds temper and frustration in the realization that Alan does not recognize the consequences. When the old man is informing Mr. Austen of the potionâ??s effects, he tells him that â??there be always sirensâ? for him if he needs one. Again, Alan does not cross the ironic inconspicuous warning of the potionâ??s possessive effects. Alan cannot see these alarms, for he is too blinded by the dreams of an Crossley 4 obsessive love. Th! e reader can fully meet the fate of Alan and Diana through dramatic irony. One can see that once he uses the love potion, he will return for the â??liquid as pallid as waterâ? just as the old man predicted. This situation is grim, but one cannot help find wittiness that Alanâ??s selfishness will envelop the best of him.         The tone of grim-amusement in â??The Chaserâ? is very apparent through diction. Alan Austen approaches the room and sees the ring â??obscurely written on one of the doorsâ?. Through this obscurity, the nature of the old man is revealed because he is filled with a dark unawareness. Austen â??pushedâ? open this door to reveal the ordinary room of a not so ordinary man. Alan pushes open the door, and the reader can sense the eagerness of Austen. He wants to find this potion and quickly ha ve Diana consume it. He wants her love more than anything in the world, but he does not seem to pick up the effects of this potion. He asks the old man for the elixir, but he stutters proving that the description of him as a â??nervous kittenâ? is true. Alan asks the old man for the love liquid, but instead, the old man speaks of the poisonous mixture. Throughout the story, he continually speaks with reverence of the five thousand-dollar elixir. This repetition of the poison foreshadows Alanâ??s return for this elixir when he becomes sick of Diana. The reader recognizes this foreshadowing, but Alan pays no attention to it. He thinks the mentioning of the poison does not refer to him since all he wants is the love potion. The old man informs Alan of the potionâ??s effect, and he becomes very excited. He believes this is the key to his happiness. Crossley 5 The old man tells! Alan that no matter what happens â??[Diana] will yield you. In the end. She will be terribly hurt, of course, but she will grant you- in the endâ?. The phrase â??in the endâ? is tell twice throughout the dialogue, but the fact is, there is never an end unless Alan purchases the poison. The two men part, but the old man and the reader know that Alan will soon return. The ironic valediction of â??au revoirâ? is amusing to the reader because Alan is too oblivious to stab the outcome. Through the words of the old man and Alan, the reader is socialise by understanding the harsh reality of the life Alan is soon to encounter. This short story of a mysterious possessive â??loveâ? has a tone of grim-amusement, which is exemplified through the symbols, irony, and diction. The reader is left with questions unanswered, but is a ble to observe many aspects that Alan, himself, cannot comprehend. Alan will never understand what happens or where he goes wrong, but the reader knows the fate of the lovers from the very beginning. If you want to get a full essay, order it on our website: OrderCustomPaper.com

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